Meaningless Awards of the Week- 4/4/07


Some really great comics came out last week. Unfortunately, this is a really busy week for me, so I really don’t have any spare time to write about them. But by next week this will all be old news. So if anyone asks what I did today at work, I wasn’t writing this blog post. Honest.

Runaways 25Transition of the Week- Joss Whedon takes over Runaways

I’d venture to say that if you were somehow unaware that Joss Whedon was taking over Runaways and didn’t look at the credits box in the issue, you wouldn’t know the change had taken place. Granted, Runaways has always sounded somewhat “Whedonesque,” but anytime a book changes creative hands without a prominent change in tone is an accomplishment. It certainly helps that Joss Whedon is a professed uber-fan of the series. And it also helps that Brian K. Vaughan did such a good job during his 42-issue run on the title of giving each character a unique and specific voice.

Issue I’m Glad I Didn’t Buy of the Week- Fallen Son: Death of Captain America- Wolverine

There were two books this week that I was really on the fence about, both of which were spin-offs of Civil War. The first was Avengers: The Initiative #1, last week’s Book of Doom, which I bought and enjoyed. The second was Fallen Son: Wolverine, which I read in the shop and really didn’t like.

What was wrong with it? I’m not sure. The story of Wolverine invading the SHIELD Helicarrier to confront Crossbones was decent enough. Leinil Yu is an artist I still look forward to seeing, even if I feel he’s gone slightly downhill as of late. It could just be that the issue didn’t feel like the event Marvel was making it out to be. It was light on plot and heavy on characterization, which usually isn’t the type of story that gets put into a one-shot (or mini-series, depending on how this Fallen Son thing turns out). This story would have been much more appropriate as a single issue of Wolverine or Captain America. Especiialy Captain America, because then it could have been written by Ed Brubaker instead of the recently disappointing Jeph Loeb.

What irked me most about the issue is that mere weeks after the end of Civil War and immediately after the assassination of Captain America, two wanted fugitives were able to sneak onto the Helicarrier, abuse a prisoner, and leave with pretty much no consequence. I can suspend my disbelief just as much as the next guy, but if the top security force in the world can do nothing to prevent Wolverine and Daredevil from doing whatever the hell they please, then why they hell does it even exist? Why is having a half-assed SHIELD in charge of protecting us from superthreats any better than having half-assed superheroes in charge?

MadmanAC_01_coverIssue I’m Glad I Did Buy of the Week- Madman Atomic Comics #1

I’ve always really liked the idea of Madman. The visual is one of the best is comics history. Mike Allred’s art is always great. The little I know about the character and his supporting cast interests me. Jim Doom has heaped a lot of praise on Madman and Allred here on the blog (as well as other forums). Yet for some reason, I’ve never read a Madman comic. So when I saw a new #1 solicited in Previews a few months back, I ordered one. Then I forgot about it. So it came as a very pleasant surprise when Madman Atomic Comics #1 was in my pull box last week. Turns out, it was even a really good issue, recapping everything I need to know about the character and using that information to start a new story arc. Very cool. Now I just have to decide if it’s worth plunking all that money down for that huge Madman Omnibus coming out.

Ridiculous Stand Off of the Week- Dark Tower: The Gunslinger Born #3

The scene started out pretty cool: Roy Depape, one of Hambry’s corrupt deputies, facing off against Cuthbert, a member of Roland’s ka-tet, pistol versus slingshot. And the slingshot has the advantage. But then Eldred Jonas, another corrupt deputy shows up out of nowhere and puts a gun to Cuthbert’s back. Then Alain shows up out of nowhere and puts a knife to the deputy’s back. Then the corrupt Sheriff Avery shows up out of nowhere and puts a gun to Alain’s back. So of course Roland shows up out of nowhere and puts a dagger to the sheriff’s back. Where did all these people come from? Considering this all takes place right by the front door, shouldn’t they have seen each other outside of the bar? Someone sneaking up behind the guy with the slingshot is fine. Even someone sneaking up behind that guy with a knife seems reasonable. But having someone holding a dagger to the back of someone who’s holding a gun to the back of someone who’s holding a knife to the back of someone who’s holding a gun to the back of someone who’s aiming a slingshot at someone else? Is this Dark Tower or Looney Tunes?